The Contempt and Bitterness of Virginia Woolf Exposed in A Room of One

The Contempt and Bitterness of Virginia Woolf Exposed in A Room of Ones Own Virginia Woolf refuses the role society prescribes her. She stands up against crosspatch ceilings, separate spheres, and double standards-cultural institutions that create and uphold a weaker sex. In her writing, specifically A Room of Ones Own, she manifests her contempt and bitterness by advocating it is necessary for women to call for five hundred pounds a year and a lock on the door if you are to write fiction or poetry (769). Howalways, to escape and step above the institutions she criticizes, Woolf knows she cannot simply complain about her brothers years at Oxford while she stayed home with tutors-that would lead an audience to believe she has an axe to dweeb (quoted in Bartholomae and Petrosky, 750). Rather, she must strive for the calm collectedness of her male academic counterparts. This presents a problem for Woolf how does she convey the oppression of women-the passion behind her work-through an objective and take aim voice? She needed a vehicle that could be neutral soon enough emotional, provocative scarcely wise. Ultimately, Woolf needed a mask one that mimicked the taciturn quality of men, yet allowed her to bare the thoughts of a woman subjected to societys mechanisms.Woolf found her outcome in the persona Mary Beton, Mary Seton, Mary Carmichael, or byanynarneyou amuse(751). Mary,Mary,orMary,quitecontrarytoWoolf, is a superb ballerinas prima donna of the highest caliber-she was sent to the front of the class not for punishment, but to set the par. She learned earlier than the other girls to stay quiet for her superiors and to please them, even at the risk of pain Through years of training, instruct and practice, performing en pointe h... ... the lobby with such a confident transmission line because she knew she was the best-the purse her mother gave her proved that. On a less familiar basis she remembers one girl who was in her class for a trivial time. Thi s girl-the name Virginia sounds familiar-always had a sloppy bun and leaned to the left in her pirouettes As Mary gets ready for a grand gala (that society has told her to attend) she wonders what ever happened to that girl. Works CitedBartholomae, David and Anthony Petrosky, eds. Ways of Reading An Anthology for Writers, Boston Bedford/St. Martins, 1999.Rich, Adrienne. When We Dead Awaken constitution as Re-Vision. Ways of Reading. Eds. David Bartholomae and Anthony Petrosky. Bedford/St. Martins, 1999. 603-620.Woolf, Virginia. A Room of Ones Own. Ways of Reading. Eds. David Bartholomae and Anthony Petrosky. Bedford/St. Martins, 1999. 750-778,